Monday 20 October 2014

TIM BUK TU REVIEW


Robyn Film studies review
Tim Buk Tu
The director of this film is Adberrahmane Sissake; it is a drama exploring the lives and experiences of Islamic rebels. The themes within this film are revenge, religion, romance and a hit of love expressed by Kidana (Imbrahim Ahemed) for his daughter, Toya played by Layla Mohammed. Tim Buk Tu allows us to gradually build an understanding and appreciation of the situation and story. As its characters are exposed and the scenarios coalesce that we get a deeper understanding of the events we are seeing, the viewer sees how society differed from that in first world countries. I feel Adberrahmane created this film to give the reader an insight to the control the government had and the restriction of people’s freedom. The uses of repition highlighted the ‘no music’ policy to the audience and how we, the viewer take for granted these unseen luxuries.
        

Overall I feel the film portrayed a vivid image of how these people were treated and controlled in society. I also feel the acting was very convincing as the characterization as at an exceptionally high standard. However I do feel that the way in which different scenes were collaged together sometimes confused the viewer as the weren’t quite sure why certain scenes intervened with each other as some seemed irrelevant to me.
         Sound played a major part in the making of this film such as in the first scene when the as a id shot of a gazelle running and you could here constant harsh bullet juxtaposing against its delicate nature. This foreshadowed that the men in the van chasing the gazelle were in the latter half of the film going to scare innocent people and use their guns as a shield to hide behind. Furthermore hen the were chasing the gazelle they were shouting not to shoot at it and kill it completely this also shows how they don’t like to be in the wrong and find alternative ways to torture the people of the town without disrespecting god, as religion is a major theme within this film.
        

Expanding on the previous point it is made apparent that religion is very important to the Islamic rebel’s as in one scene they enter a place of worship with their shoes and weapons which is seen shun upon in the eyes of god. An old man praying peacefully says to the gentleman that they are praying and should leave and the gunmen peacefully back down. By doing this it is clear to the reader that all these rules being created are in respect of god and they truly believe that it is the right thing to do.

Sofiane El Fani, who really understood the power of the human face, shot Tim Buk Tu and when to simply just frame it on screen, as you will also see from her work on Blue is the Warmest Colour. By reducing the amount of special affects it really grabs the readers attention for the right reasons. Instead of being drawn to the explosives are superpowers they are purely attracted to the actor’s emotions and emphasize with their situations.

         This film won two awards in the Cannes film festival, François Chalais Award and the Prize of the Ecumenical Jury. Also at the Jerusalim film festival it won the “In spirit for freedom” award. Overall I think this film depicted a new take on life outside of the UK and in second world countries imparticular and is a real heart frob to the audience who now see how much they have in comparison to people whom have so little. I would recommend this film to those who wish to have a different outlook on the way we see our lives and objects and how much we have in comparison to the people who live on purely the comfort of music.



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