Wednesday, 3 December 2014
The Selfish Ginat Analysis
Robyn Matthews the Selfish Giant analysis The Selfish Giant (2013) directed by Clio Barnard, written by Clio Barnard and Oscar Wilde. From the opening scenes I established that the narrative of this film is about two working class thirteen year old friends currently living with crime. In the opening scene the mis en scene is clearly thought out. The lighting is dimly lit to represent the emotions portrayed in the scene: anger and frustration. Furthermore this signifies that Conner Chapman, Arbor, is currently in a dark place justified by his aggressive actions as he bangs on the runs of the bed. His friend Swifty, played by Shaun Thomas, forcefully tries to calm Arbor down and contain his violent outburst. This appeared hard to do which shows that Arbor has a determined personality as he will not give up, however eventually Swifty tightly holds his hand and the director purposefully got a close up of this particular shot. This shot is very significant as we are alerted of the love and unity between the two boys and the power a simple hold of the hand has over some beings. This is a display of comfort as universally holding hands in a symbol of you not being alone…you are safe. The next scene is the two young boy riding on a hoarse by the train tracks over a bridge. Immediately this gives us some back ground information on where they come from and how they are brought up. The fact they are on top of this horse shows where their mindset is and perhaps they are a bit ahead of their time. In the past horses were ridden by nights defending the castle so suggestively they feel a need to present their authority. I have come to the conclusion that this is because they are in a dangerous place as not many 13 year old boys will be allowed out in the dead of night by themselves, so to accumulate a protective illusion they have sat on this hoarse to reassure themselves that this is an okay thing to do. The light is dimly lit in the scene also showing that the danger is not over. We have a clear view of two working middle aged men cutting a large piece of cable. The lighting tells us a lot about the danger. As it is dark we don’t have a clear view on the cast, therefore, their safety is blurred and what happens next cannot be foreshadowed. Arbor is then edged by Swifty to check out what is happening as this abnormal occurrence intrigued the boys. This resulted in Arbor stealing the cable and riding away with Swifty to his aid. This scene is very significant as we are exposed to what the boys feel is acceptable to do. The theme living with crime is clearly demonstrated to the audience. Next the boys bring the cables to a scrap yard where we discover they got the hoarse from. Immediately they are approached by a man with an axe and threatened but they barter with him showing the cables and later receive money for the merchandise. Here we see that people priorities money over safety and people are willing to risk their lives for a little bit of cash. In the next scene the boys return to Arbors home where we understand his living situation deeper. We see a basic kitchen which alerts us that this family is not very wealthy. The reduced in price cereal boxes and lack of equipment on the counter tell us this. We are made aware that Arbors mum is single and his brother and he are quite clearly the male dominants in the family. Their mother feels its acceptable to be spoken down to by her son as she is incapable of controlling him this may be because she hasn’t sorted her own life out. We are then made aware that Arbors anger issues are clearly because of a mental disorder called ADHD. This is made clear by the reference to his pills which justifies this assumption. We then as viewers, feel quite sympathetic for |Arbor and our once outraged emotions caused by his actions are softened as there is a logical reason to why this young man is so angry and disrespectful towards his family.
Wednesday, 26 November 2014
Robyn Matthews
AS Film Barrington My Brother The Devil Review 11/26/2014
My Brother
the Devil(2012) is directed and written by Sally El Hosaini. This is a drama that
explores the social realism of drug dealing and crime in Hackney, London. The
themes expressed throughout the film are family, unity. Friendship, betrayal, greed, love and sexuality. There is a
great cast, not a single complaint about it. The young actors are convincing
through expressing their emotions and reactions to the effects of gangland. What the
producer wanted to show is the under layer of society where kidsa as young as
16 feel they are ahead of their time and maturity levels has excelled; so they get involved in the lowest of the hierarchy of
drug dealers and their rivalry in an effort to make it big or make it out.
In the beginning
of the film, (Mo) Fady Elsayed, is mugged of his brother Rashid’s (James Floyd)
large amount of weed and his own trainers, Right from the beginning you are
made aware of the violence and risks when involved in these types of movements
and already in the first few minuits the danger the characters involved are
made clear.
Mo clearly
is influenced by Rashid’s movements, as he sees him as a role model… given that
it is his older brother. You also see in the first scenes of thew film Rashid
placing ten pounds into his mother’s purse. This changes our perspective on
Rashid instantly as you see he only had his families wellbeing at heart. This
scene is mimicked in the latter half of the film when Mo copies his brother’s
previous actions and places an excessive amount also into his mother’s purse. The
repetition of this scene highlights the motif behind the film and that the acts
these brothers have become involved with are only to move forward in life and
protect the ones they love.
The mis en
scene of the film is fantastic. For example the costumes make the film believe
able the dealers all have their expensive trainers which is a direct effect of
the money they are earning. This makes the viewer believe that they are wealthy
people and justifies why they enter the trade. Furthermore it is clear that
Rashid and Mo are originally from Egypt as Rashid often wears a tartan scarf
which are commonly used in that country. This provides the view with an
additional background story and allows them to interpret some of their life
before the film.
In todorov’s
theory he believe that all films begin with an equilibrium, in this case, Mo
finishing school and receiving a television from his older brother, Rashid.
This was then disrupted by Rashid allowing Mo to pick up some drugs for
himself, when this happened and the incident happened where Mo was mugged the
equilibrium was disrupted. After this Mo got involved in dealing and it was noticed
by the girl who had just moved in she stated “I don’t like it when you hang
around with them”. This made us aware of the dangers involved with this
business. The equilibrium was then finally restored when Rashid demanded Mo was
not involved.
There was
another equilibrium also happening throughout the film It started with Rash
loving his girlfriend. The equilibrium was later disrupted when he got a job in
photography and he couldn’t see her as much. This was noticed when Sayyid (Saïd
Taghmaoui) the friend whom he was hired by kissed him one day at work. Rashid
tried to restore the equilibrium by having sexual intercourse with his girlfriend
however this did not restore the equilibrium. The thing that did restore it was
Rashid realising that he perhaps was gay and it was finally restored when Rashid
accepted his sexuality and removed himself from all the drugs and crime.
Friday, 21 November 2014
AS film Robyn Matthews First draft
Nebraska (2013) directed by Alexander Payne is a black and
white comedic drama with themes of insanity, love, nurture, jealousy and greed.
An old Married man, Woody Grant, played by Bruce Dern is indefatigable in
seeking his million dollar reward from a unofficial Pamphlet.
At the beginning of my chosen scene there is a mid-shot of
Woody’s son looking up at him. This initially implies to the viewer that he is
above Woody physically and metaphorically. This technique is significant in
defying the hierarchy of the film as it highlights the directors emotions on
how the characters see each other and how they want to be portrayed. The next
shot is of Woody, evidently the son is looking down on him while he is in the
hospital bed giving the opposite effect from the previous shot. As these shots
are consecutive it creates a larger contrast and creates a more vivid
interpretation from the directors mind set and how the characters insecurities
and displayed.
In these few shots the camera is steady showing that it is
on a tripod. The shots alter between a mid-shot of the son, a mid shot of Woody
and an over the shoulder shot of the son displaying the back off Woody’s head
and the hospital bed. This last shot gives a sense of involvement with in the conversation and gives the viewer a sense of engagement.
This scene is in black and white. It isn't so common that modern day films will use this type of cinematography as modern film has developed the stereotype that the best films are the ones with the most CGI and biggest explosives and colour. However, for the film Nebraska, I agree that the monochrome affect seconded the message presented in the narrative.
This scene is in black and white. It isn't so common that modern day films will use this type of cinematography as modern film has developed the stereotype that the best films are the ones with the most CGI and biggest explosives and colour. However, for the film Nebraska, I agree that the monochrome affect seconded the message presented in the narrative.
Here is a mid shot of Woody Grant. I feel this shot imparticularly is very well thought out as Woody's facial expressions and emotions are clearly presented as he is looking straight past the camera man. You can see the frustration in his face assumably caused by the lingering thought of his unclaimed prize. Behind him you can see the train tracks and at first sight you would assume he was in some sort of danger. This was purposely done by the director as he wanted to display how Woody's health and endless determination is putting him at risk. Furthermore the image blurs the further it goes into the distance insinuating that there is no way Woody can return from the state he is in as his past is no longer intact. His mental state is so fix stated on the present the past is only a blur to him. In addition the sky appears quite bright making Woody appear darker; this is unusual as this suggests Woody is also in a dark place and the light, possibly heaven, is creeping top behind him and he is unaware of his situation because he never looks behind.
Wednesday, 12 November 2014
My own Rom Com proposal
Robyn Matthews A-level film
My proposal
The idea I have for my film is a romantic comedy with a touch of social realism and drama. The main character will be a "19" year old girl who wants to explore life to its fully capacity even though she's not ready to see these parts of life just yet. She finds the only work that will take her and runs away from her foster parents to live on her own in big New York.
My film will have themes of violence, promiscuous nature, love, maturity and pyscological disorders. All seems standard in this film until you reach the end and a significant fact changes the lives of this 19 year old girl and her new boyfriend whom is also nineteen.
My proposal
The idea I have for my film is a romantic comedy with a touch of social realism and drama. The main character will be a "19" year old girl who wants to explore life to its fully capacity even though she's not ready to see these parts of life just yet. She finds the only work that will take her and runs away from her foster parents to live on her own in big New York.
My film will have themes of violence, promiscuous nature, love, maturity and pyscological disorders. All seems standard in this film until you reach the end and a significant fact changes the lives of this 19 year old girl and her new boyfriend whom is also nineteen.
Tuesday, 11 November 2014
Film
Studies Robyn Matthews 11/11/2014
My Proposal
The film I have
chosen to do my essay on and analyse is Nebraska directed(2013) by Alexander
Payne. I feel this is a good film as it involves a lot of context and is
relevant to many real life synarios. It explores the affects of mental illness
on an elderly man and how this psychological problem is his way of showing his
fear of death.
The
particular scene I had chosen is quite comedic. It is where they are at a
railway tracks looking for the old man's teeth with his son. They both
participate in a jokingly feud involving a lot of dark humour. I feel this
scene is significant as it shows how these common illnesses can easily be jokes
about by their hosts as they have learnt to live with them; I also feel this scene
is perfect for my analysis as it is easy to recreate. This is because there isn't
any CGI used or special affects that will be hard to recreate with the
facilities given. The black and white film used will also give me a lot of
substance to discuss and talk about in my analysis. Alexander Payne is also a
popular director and allows me to have a variety of film to compare Nebraska
to.
Thursday, 6 November 2014
Nebraska film review
Robyn
Matthews Film studies review 11/06/2014
Nebraska
Nebraska is
a black and white directed by Alexander Payne, circling an old family man
(Woody) and his obsession with winning the lottery after he receives a phoney “winning
ticket”. His concerned son agrees to take him to Nebraska from Montana to
prevent this obsession spiralling out of control and ending tragically. This is a social realism drama with comedic assets embedded in the script it explores themes of love, hate, jealousy, forgiveness and insanity.
The shooting
of this film was done with digital cameras and anamorphic lenses to create the
black and white affect. Personally I despise black and white films as they don’t
create a vivid image in my head of the characters and setting, however, after
dreading the beginning when I had noticed this, it became clear to me that this
affect emphasised the man’s condition as he couldn’t see the full picture and
other people’s opinions. It created a pleasant use of the imagination and
allowed the viewer to fill in the missing details such as, what they were
wearing, how rich they would determine by the amount of golden accessories and
minor details such as them.
June Squibb
the wife of Woody, Kate Grant was one of the key characters in the film for me
personally. Her dark humour and cruelty towards woody lightened the mood and
reassured the viewer that this was a down to earth, relatable film which
expressed common problems many older people go through.
David Grant:
How did she die?
Kate Grant:
Saw herself in the mirror one day.
This is a
key example of June’s characters witty humour as she is always expressing
herself openly and cracking jokes to lighten the mood.
I deeply
enjoyed this film and would definitely recommend it to people who have an open
mind to feel good movies that explore common issue in families throughout the
world. However I do feel that this is not every body’s cup of tea and those who
don’t pay attention to the minor details directors and writer put into their
movies would not enjoy this as they wouldn’t fully understand the deeper
meaning.
Monday, 3 November 2014
Amelie film review
Robyn
Matthews Film Studies review
Amelie
Amelie is a
French film in complete subtitles. It was directed by Jean-Pierre Jeunet in
2001 starring Audrey Tautou as Amelie. This is a romantic comedy that explores
themes of love, dark humour, mystery and suspense. Amelie is a young frail girl
who’s lack of contact with other people has forced her to devote her life to
helping others while she dreams in her perfect world.
The most
successful part of the movie I feel myself, is the first act: Amelie's
childhood. This is when all the fantasy and naivety work best. There is a voiceover
which introduces us to Amelie's parents and gives us a humorous update of their
likes and dislikes. By doing this Jean-Pierre is able to show the viewer how
Amelie feels about her parents in a condescending irrational way, however, it
gives us the hallucination that we grew
up as a member of the family as we know all the random details only a close
family member would recognise.
The
soundtrack to Amélie was composed by Yann Tiersen. He remained relatively
unknown outside France until the release of Amélie in 2001. French film
director Jean-Pierre Jeunet had something else in mind for the film score, but
one day one of his production assistants put on one of Tiersen CD’s and the
director loved it he felt it did justice for the film and envisioned the
certain image in his head that he had wanted to be projected into the movie.
Jeunet bought all of Tiersen's albums, and then contacted him to see if the
Breton composer was interested in writing the film score for Amélie
The budget
for this this film was a small $10 million and it took a massive $173,921,95 at
box office. This was one of the most famous films in France during this time
and it was only released in France, Australia, Britain and America in cinemas,
however copies of the film were very popular world wide. This was a huge
success for the French film industry as they got their foot in the door and was
noticed by America… where all the large Hollywood films are produced.
There is a
particular scene in this film that spikes my interest. The shots the director
uses make it interesting and the narrative drags the attention of the audience.
“Amelie had a strange feeling of absolute harmony. It’s a perfect moment soft
light…a scent in the air a quiet murmur of the city. She breaths deeply life is
simple and clear. A surge of love and an urge to help mankind come over her”
This is the narration that is subtitles below a mid shot of Amelie walking. We
have a clear vision of the expression on her face which reinforces the
subtitles and alerts us of her peace at this current moment. We follow her
walking however we cannot see infront of her only behind; this suggest that she
is intent on moving forward as she does not once hesitate to look behind her. A
close up of a blind man is made clear as we can see the back of his head and a
busy road infront of him. The camera shot then zooms into a close up if Amelies
face, next an over the shoulder shot is used to show us walking behind as she
approaches the disables man. She alerts him that she is going to help him cross
the road and not only does she do that but she describes every little detail
most people wouldn’t see as she esorts him such as the “that florists laughing
he has crinkly eyes”.
This scene
is beautiful to me as we can see the innocence in Amelies description she goes
out of her way to make some ones day better and help them on their way. The
shots are perfectly times as we are shown life how she would see. We have a
close up of the blind man to grab our attention as it did to herself. Many
people would look past but Jean-Pierre felt it was necessary to highlight how
little gestures make peoples days better and this magnified Amelies kind heart
and passion for helping others.
I loved
this film. The subtitles I feel made It better as myself, as a viewer, had to
think extra hard on the plot and sometimes missed key scenes as I was still
reading. I feel though that this was purposely done as I would have overlooked
the details Amelie saw. This film was really heart warming and the subtle dark
humour made it entertaining to watch. I would definitely recommend this film to
others.
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